bookblather (
bookblather) wrote in
rainbowlounge2012-10-19 12:02 am
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Hotel of the Lost
The hotel lobby is broad and open, a big circular room with a fountain in the center stocked with gold and orange koi. A large handprinted sign propped against the fountain's rim reads DO NOT FEED THE FISH, but it is the only touch of humanity in the gold-and-cream marble room. The fountain is surrounded by small tables and comfortable armchairs in greens and golds, sitting on a forest green rug patterned with small cream figures that spreads outward until it reaches a broad walkway of cream marble tiles around the circumference of the room. Potted plants stand at regular intervals along the walls; they are live trees, though from a distance they could well be assumed to be fake. Between them hang the usual forgettable pieces of hotel art.
Double glass doors open onto the outside world, with the concierge's cream marble desk to their right and the gold sign-in desk to their left. About a third of the way along the circle from the concierge's desk is a fancy restaurant done all in green and cream, currently empty, complete with a large bar stocked with at least thirty kinds of liquor. Across from the restaurant is a gift shop stocked with the usual kitschy touristy items and t-shirts emblazoned with Washington DC, also empty. Across from the double doors is an elevator bank leading up to the rooms, with a marked door to the staircase beside it.
The portals are shifting....
Double glass doors open onto the outside world, with the concierge's cream marble desk to their right and the gold sign-in desk to their left. About a third of the way along the circle from the concierge's desk is a fancy restaurant done all in green and cream, currently empty, complete with a large bar stocked with at least thirty kinds of liquor. Across from the restaurant is a gift shop stocked with the usual kitschy touristy items and t-shirts emblazoned with Washington DC, also empty. Across from the double doors is an elevator bank leading up to the rooms, with a marked door to the staircase beside it.
The portals are shifting....
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... Of course, Yuyan was holding a sword. Either it was a prop or the three of them were from a very different place than Kelsey.
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"Is it like a palace?" Yuyan asked.
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She had to wonder where they were from. Or maybe even when, if they didn't know what a hotel was.
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"I've never seen one with a fountain," Yuyan chimed in.
Ansheng twanged his zither irritably. "So what you're saying is that we've come to an inn that's built like a palace."
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That should probably faze her more.
"I'm from a state called California in the United States of America." She smiled a bit. "I think our cultures and countries are probably pretty different."
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Ansheng snorted. "Perhaps they fly."
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"How do you make these...machines fly? Or go without horses?" she asked Kelsey, thoroughly enjoying herself.
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She turned to Yuyan. "That does sound a little like the engine on the Tantivy, doesn't it?"
Yuyan nodded. "There's all sorts of...well, gears, and axles, I guess, on that engine, but it's on a ship. And I don't think we've seen anything like that before anywhere else. All I know is that it makes the ship fly."
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She shrugged. "We only fly at night, to avoid being seen. By day we're at sea."
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Although there had been talks of fitting the Serafina with similar augments, but how one would do that, she hadn't the foggiest idea.
"But how is this different from your airplanes?" she asked Kelsey. "Yours can move so many more people."
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